The Crown
Director Philip MartinCreator Peter Morgan Cast Claire Foy, Matt Smith, Victoria Hamilton, Vanessa Kirby
God Help The Girl
Director Stuart MurdochDirector of Photography Giles NuttgensProducer Barry Mendel Cast Emily Browning, Olly Alexander and Hannah Murray
In Plain Sight
Director John Strickland
Two Doors Down
Director Sasha Ransome
Leopoldstadt
Writer Tom StoppardDirector Patrick MarberDesigner Richard HudsonLighting Designer Neil AustinComposer and Sound Designer Adam CorkProjection Design Issac Madge“Leopoldstadt is a beautifully crafted play and the production (director Patrick Marber) does it justice....
Pride and Prejudice* (*sort of)
Director Isobel McArthur and Simon HarveyDesigner Ana Inés Jabares-PitaLighting Designer Colin GrenfellMusical Supervisor and Sound Design Michael John McCarthySound Design Luke Swaffield for AutographComedy Staging Jos HoubenPhotography by Mihaela Bodovic"As the...
Charlie and the Chocolate Factory
Director James Brining“The musical numbers are staged with invention and humour, crisply choreographed by Emily Jane Boyle” Allan Radcliffe, The Times
Adults
Director Roxana Silbert
The Grand Opera House Hotel
Director Gareth Nichols
Henry VI: Rebellion and War of the Roses
Director Owen HorsleyDesigner Stephen Brimson LewisCostume Designer Hannah ClarkLighting Designer Simon SpencerMusic Paul EnglishbySound Designer Steven Atkinson
Measure for Measure
Director Blanche McIntyreDesigner James CotterillComposer Tim SuttonSound Designer Steven Atkinson
The Mirror and the Light
Director Jeremy HerrinDesigner Christopher OramLighting Designer Jessica Hun Han YunComposer Stephen WarbeckSound Designer Nick Powell"Herrin and movement director Emily Jane Boyle arrange the characters in formation, like chess pieces, and as Cromwell’s fate looms,...
Glasgow Commonwealth Games Closing Ceremony
Director Mark Murphy
Still Game: Live
Director Michael Hines"And by the time Isa drinks some accidental magic-mushroom soup, triggering the show’s mind-bowing Bollywood finale, the audience is enjoying the night of its life.." Joyce McMillian, The Scotsman
A Midsummer Night’s Dream
Director Dominic HillDesigner Rachael CanningComposer Paddy CunneenLighting Designer Ben OrmerodSound Design Jay Jones and Simon Baker“Tightly delivered comedy and impeccably executed physical theatre inspires a constant stream of laughter.” Culture Whisperer"This...
Exit The King
Director Patrick MarberDesigner Anthony WardLighting Design Hugh VanstoneSound Design Adam Cork“Vivaciously performed and full of regal ritual.” Michael Billington, Guardian
The Cook, The Thief, His Wife and Her Lover
Director Andrew Panton
Nora: A Doll’s House
Director Elizabeth FreestoneDesigner Tom PiperComposer and Sound Designer Michael John McCarthyLighting Designer Lee Curran“The scene in the original play in which Nora contrives to dance with her husband becomes here a playful demonstration of how tastes have...
The Red Balloon
Trainspotting
Director Gareth Nichols"Renton delivers the famous “choose life” speech to the sound of New Order’s Blue Monday, not long before the stage explodes into a techno-fuelled rave populated with a club’s worth of young dancers (sharply choreographed by EJ Boyle)." Mark...
Sunshine on Leith
Director James Brining"In an early Edinburgh street scene, as returning squaddies Davy and Ally weave past joggers, leaflet-pushers, buskers and coffee-guzzlers, Emily-Jane Boyle’s choreography brilliantly evokes the bustle of city pavements – real city pavements, not...
Wendy and Peter Pan
Director Eleanor Rhode
Oresteia: This Restless House
Director Dominic HillDesigner Colin RichmondLighting Designer Ben OrmerodComposer Nikolai Kodjabashia Photography by Tim Morozzo“A cleverly used ensemble. Dominic Hill’s direction is imaginative and clear-sighted, with EJ Boyle’s movement direction and EmmaClaire...
Cuttin’ A Rug
Director Caroline PatersonDesigner Kenny MillerLighting Designer Grant Anderson"Paterson’s production is all the more engaging for its snappy pace and deft choreography of a large cast, which responds with committed performances.” Allan Radcliffe, The Times"Caroline...
The Cheviot, The Stag and The Black Black Oil
Director Joe Douglas"What is most striking is that, for all the play's consciously roughshod form, beneath its veneer is something expertly crafted" Neil Cooper, The Herald"Its attraction, now as then, lies in its being a work of “ceilidh-theatre” which combines...
Lanark
Director Graham Eatough"Bolder and more stylised than most theatre...a superbly drilled and exhilaratingly confident piece of ensemble theatre." Martin Hoyle, The Financial Times"Superb choreography by EJ Boyle." Joyce McMillan, The Scotsman